Well, where to start. Sould Waves Music announced a remix contest for Nordic Coast – Sunrise In Brisbane track. They received a “huge number” of remixes, but… didn’t like any. No winners, no awards, nothing – everybody go home.
What else can I say? Screw them. Check my remix yourself:
Another remix prepared for a contest (so far, the last one) – pure trance at 140 BPM. It quickly turned out exactly how I imagined it. Now you can enjoy this properly mastered version. Check this freebie!
I’m quite digging all the remix contests now, the tracks just come one after another. Here’s an attempt to remix a synthpop, with actual vocals – new thing to me. The original track is clearly amazing and I just wanted to make it similiar but even better, more EDM-friendly rather than pop. This prog-house turned out very satisfactory, just check it on your own. I believe this is an easy-listening tune also non-EDM heads can tolerate. Also, the track is light on compression so sounds more like a pop than hard-limited club tune. Enjoy!
Honestly I hate public voting. The difficulty is not to make even the greatest set, but to make anyone listen to it. People don’t have time to check 50 hours of music, obviously. As a result, spammers win. Luckily now only forum members can vote there are 20 places to take.
Just before the deadline I finished a remix of Still Waiting by Kamille Louis. Good thing it’s shared in public and you can actually vote for it. The competition is strong though, mostly thanks to significant rewards.
Now back to backyard: The original feels pretty uninspired. I guess the author had no idea what to do with, and neither had I – the genre was quite off :P. The basic idea was to use samples from remix pack as much as possible. I started down from cutting every sample out of it and procesing them until they ended up with something useful. The track is driven by polyrhythmic maracas (new technique to me) and basslines were resynthesized in Serum from original samples. The pads were also resynthesized with Harmor, though with poor results – mostly ending up with atonal textures. Second lead was chopped guitars playing MIDI extracted from generic drum loops – Ableton bread and butter.
Still, it eventually turned out to be pretty nice progressive house with a bunch of unusual sample FX. In fact it’s all about mixdown.
So it’s done. The next remix will be full-on trance at 140 BPM made from this. Should be quite straightforward.
It’s the same time again! This time I participated in main EOYC 2016 Contest hosted on Afterhours.fm board. Hoping to win again this year and be a part of EOYC 2016 event.
The trick was that I learned about the contets only one day before it was opened for entries. Starting from nothing, I somehow still managed to make it. Still tracklist was rushed, mix – improvised and I didn’t even listen to it before upload. Hope you enjoy it nonetheless. Usual tech & uplifting power 8)
Until end of October all sets will be ready (but it will hit 50 entries limit quickly). Then, between 1st and 20th November you can listen to the sets.
Next month, between 21st and 30th November, there’s voting on Afterhours.fm boards for members. Your support will be mostly appreciated. Next day results will be revelead, based on votes and ratings from AH staff. There are 50 contestants and 20 winners, so it couldn’t be easier 😉
So here it is! My latest track prepared for contest. It’s a straightforward but huge uplifter at 138 BPM.
I really enjoyed original material I got and used pretty much all MIDI from remix pack, including bassline. Didn’t add too much of content or unsual ideas, the melody is strong enough to hold on its own. It was all about sound design, layering and modulation, then mixdown. It was great to see how this tune is coming from “just typical trance” to “oustanding” just over a day. It all was made just in a 6 days, had a week off.