The Making of: Suntasia Remix

Today let’s take a closer look on Remix of Suntasia by known Marce De Buur, for a request of my home label Tecnomind Music.

Luckily the remix request came soon after lockdown in Poland. My company sent everyone for (paid) vacation so I had a couple of extra weeks I could spend on anything – of course the best option was to make some music. So I sat down and worked every day, finishing it in about three weeks. Which is quick related to normal release schedule – been waiting months for other remixers to complete their task 😛

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The making of: Oceanfront Remix

It came out of nowhere – a guy named Matthias Bishop just mailed me and asked to create an uplifting remix for one of his tracks for a new label Interflow Uplifting. I picked Oceanfront, as it sounded pretty neutral and indistinct despite nice harmonies. I could go anywhere with it 🙂

So I added a plenty of bold synth lines, drawing from trance classics. Gated phasy pad was inspired by The Thrillseekers – New Life (Lange Remix), while gliding lead is a classic sound found for instance in Solid Globe – Sahara, both from 2004. On top of that, there’s arpeggiated supersaw lead that’s my signature sound of course.

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Warmonger – Native Aliens out now!

Finally a proper full-on psy from me, this time at popular label Aftertime Records. Commercial style, so it hits hard and would rock all the club parties… if they were not already cancelled :v Either way…

Native Aliens

The tune combines classic psybass, African drums and chants as well as classic psy patterns and my signature supersaw lead. What’s there not to like?

Listen and buy – now in all stores!

Spotify
Deezer

Beatport
Juno
Apple Music

Loudness War 003: FM Synthesis part 2

Let’s continue the FM synthesis series, shall we?

Mic fixed. Also added a lot of extra graphics to make maths part easier to understand.

Honestly, all this preparation and editing takes a lot of time. Hopefully in the future there will be more music and less theory.

Freebie: Warmonger – Excursion

I decided to give away this piece from last year:

An attempt at banging tech track, drawing from multiple styles – from dubstep and electro to even psy. Also features my signature uplifting lead.

Even though I put a lot of time and effort in this track, the result is less than a sum of its parts. Probably it comes from me not listening to my own adivce: If you have five great ideas, make five separate tracks. Putting too much content in a single piece makes it one hell of a mess.

I believe many people are going to enjoy this track nonetheless, but labels appear not interested. Well, better luck next time ¯\_(ツ)_/¯.

The Making of “Live While You Can”

From the very beginning, this track was meant to be simple. An uplifting cookie-cutter inspired by eurotrance from 2000s, especially my favourite duo Nu-NRG. I just wanted to go and try if I can create something “normal” without oversophisticated sound design and composition. After all, the majority of trance nowdays is a copy-paste of each other.

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The making of: Ancient Dreams Remix

Back with “The making of” series. Let’s start with Ancient Dreams by James Lass, since this one was actually made back in November 2017.

The story begins just a few hours after Introscope EP got released. Delaforce Recordings made a public request for remixers on their Facebook page, and I answered quickly – at that moment with proven track record 😛 I got like 25 days for a remix, but it actually got signed 2 month later and finally released more than a year from then – this February.

Unfortunatelly Delaforce Recordings seems to be barely alive nowdays, so the only place you can hear full version are streaming serives, such as Spotify. Go check it now:

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The making of Starvation

Since now extended versions of tracks are on Youtube, there’s a good point to discuss how “Starvation” was made.

I had a simple idea in mind – a straightforward trance tune with african theme. This involves, obvioulsy, polyrthytmic djembe drums, but also harmonies. Some grooves were played by hand using different instruments, such as Ableton stock rack and Big Bang Cinematic Percussion, other loops were found on the Internet. As to harmonies, I googled some “african music”, understood correctly or not, and tried various chord progressions until it worked.

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Enfortro – We Came To Conquer (Warmonger Remix)

It’s time for another freebie! Get ready for this warm uplifter.

The track was originally prepared for a contest somewhere in April. But it wasn’t that good. I got down to it again last weekend and found out it honestly sucked. But not all is lost!  I already figured out how to turn it into proper uplifter. What do you think?

Synths used were Vacuum Pro (first ride) for basses and phasy arp together with LuSH-101 for pads and final supersaw lead. In fact the most important thing in that project was D16’s Devastor 2, which is pretty much on every track and adds tons of warmth and agressiveness to this tune. I aimed at dirty, warm summer vibe and took inspiration from old Sean Tyas tracks in particular.

There are also polyrthytmic maracas rolling through entire length of track. I bet you didn’t notice, but they add some interest to the composition as they drive multiple envelope followers from Live M4L stock.

What really makes or break the tune are the reference tracks, though. This summer I did even more careful A/B comparison and particular started matching EQ, which turned out to make day and night difference. I believe this one is the very best and properly produced trancer I ever shared, so enjoy it!

In the meantime I finished more tracks and need to send them out to labels. In particular the ones that actually check the demos 😛 Life is hard.