Well, where to start. Sould Waves Music announced a remix contest for Nordic Coast – Sunrise In Brisbane track. They received a “huge number” of remixes, but… didn’t like any. No winners, no awards, nothing – everybody go home.
What else can I say? Screw them. Check my remix yourself:
It’s time for another freebie! Get ready for this warm uplifter.
The track was originally prepared for a contest somewhere in April. But it wasn’t that good. I got down to it again last weekend and found out it honestly sucked. But not all is lost! I already figured out how to turn it into proper uplifter. What do you think?
Synths used were Vacuum Pro (first ride) for basses and phasy arp together with LuSH-101 for pads and final supersaw lead. In fact the most important thing in that project was D16’s Devastor 2, which is pretty much on every track and adds tons of warmth and agressiveness to this tune. I aimed at dirty, warm summer vibe and took inspiration from old Sean Tyas tracks in particular.
There are also polyrthytmic maracas rolling through entire length of track. I bet you didn’t notice, but they add some interest to the composition as they drive multiple envelope followers from Live M4L stock.
What really makes or break the tune are the reference tracks, though. This summer I did even more careful A/B comparison and particular started matching EQ, which turned out to make day and night difference. I believe this one is the very best and properly produced trancer I ever shared, so enjoy it!
In the meantime I finished more tracks and need to send them out to labels. In particular the ones that actually check the demos 😛 Life is hard.
Back with a mix, long time no see! I couldn’t find much time for music lately, mostly as Stema Summer Sale got me 😉 But now I’m back on track, mixing music but also making it. As I don’t record mixes recently, the tracklists are getting too old. Need to catch up, have another similiar mix soon, or maybe more. To get anywhere with it, one needs to perform it on regular basis.
This set is an absolute premiere of my new production “Introscope”, which was born in pain over last two (!) years and kept in shadows, but finally coming close to completion. More details will be coming in the fllowing months.
Didn’t record anything for a while, here it is. Full-on psytrance, banging tracks and weird stuff.
Despite I spent quite some time picking these tracks, each of them seems to be mastered completely different. It is very difficult to make consistent transitions with weird material like that live. Or I’m just getting old. At least a lot is going on in this set, maybe that’s an advantage for you?
Another remix prepared for a contest (so far, the last one) – pure trance at 140 BPM. It quickly turned out exactly how I imagined it. Now you can enjoy this properly mastered version. Check this freebie!
It’s the same time again! This time I participated in main EOYC 2016 Contest hosted on Afterhours.fm board. Hoping to win again this year and be a part of EOYC 2016 event.
The trick was that I learned about the contets only one day before it was opened for entries. Starting from nothing, I somehow still managed to make it. Still tracklist was rushed, mix – improvised and I didn’t even listen to it before upload. Hope you enjoy it nonetheless. Usual tech & uplifting power 8)
Until end of October all sets will be ready (but it will hit 50 entries limit quickly). Then, between 1st and 20th November you can listen to the sets.
Next month, between 21st and 30th November, there’s voting on Afterhours.fm boards for members. Your support will be mostly appreciated. Next day results will be revelead, based on votes and ratings from AH staff. There are 50 contestants and 20 winners, so it couldn’t be easier 😉
So here it is! My latest track prepared for contest. It’s a straightforward but huge uplifter at 138 BPM.
I really enjoyed original material I got and used pretty much all MIDI from remix pack, including bassline. Didn’t add too much of content or unsual ideas, the melody is strong enough to hold on its own. It was all about sound design, layering and modulation, then mixdown. It was great to see how this tune is coming from “just typical trance” to “oustanding” just over a day. It all was made just in a 6 days, had a week off.