Today my humble discography doubled in size 😉 It’s the first solo single released on Speedsound label, available in stores all around the Internet.
I’ve been looking forward to get 4K monitor to use it with DAW and recently made it. I would like now to discuss the benefits and observations in a form of short guide, as seemingly many people are still confused about these.
I initially made this track in 2015. It felt wrong, though, so I tweaked it over and over. Finally I realized it is simply off the genre has no commercial potential at all – no matter if it’s mixed properly or loud. So now I give it away for free.
Artistically, I find it a success – I had an idea and realized it. The track is just what it was supposed to be. Just the idea was wrong to begin with. Maybe it would work better if I picked other scale than major, now it seems to be way over the top.
Ending year 2016 was quite interesting, full of ups and downs. For sure it was busy.
First and most important, I got my first track released – it’s remix of Ruska – Saimaa made for a contest. I was hoping now releases will be flying every month or so.
However, since then it was a downfall. Even though I feel I improve the quality of every new track, none of them was accepted. Some remixes were not good enough, others seemingly were off the style.
It took me a while to understand what is still wrong with the tracks and why people don’t enjoy them as much as commercial releases. And eventually I figured it out. Check the improved remix of Impellent:
The stats… we live in the world where no one cares who you are and what you do, but only how popular you are. I’m not very popular at all (especially compared to 2008), but the blog stats keep growing this year:
This is with lowest post count ever. Most of visits hit Chaotic Wavetable Pack for Serum, which turned out very interesting for users even though it was made over one day and in fact is nothing extraordinary. Personally I never used it yet :P.
Growing stats may also come from the fact that I no longer post about “work in progress”, but simply finish tracks and post worthy pieces of music. Certainly it would help if I posted some tutorials and started video blog, but there are other things I need to deal with first. Neverthless, I gave some lectures on production this year so it’s not far from here. Especially earlier show on FM synthesis turned out great.
I only mixed like 9 DJ sets this year… unfortunatelly it takes a lot of time. Even though, these few sets get great number of plays, so once I get back to it someday, things should be running well.
The studio… I got quite some gear and a number of synths this year. Acually it’s more than I was able to use so far. Which doesn’t mean I don’t try to – the quest for ultimate studio drives me both creatively and at regular work. I not only need money for better place, but also need to actually make use of all the synths (yet alone gear) I gathered so far. Now the only thing that limits me is the time. Which leads to one last point…
The workflow. Earlier this year I decided to learn how to use Push for real. And I did, it just works so well. Now I’m working in Session mode, creating clips and layers one by one. Then switch to Arrangement View, create whole arrangement in one go and… voila! Track is finished. Let’s do another one. Making tracks, even very diverse, is quite repeatable process – one I know how to. And creating better track doesn’t neccessarily mean spending more time on it. It’s all about the skills and just know-how.
The future. The future is now, 2017 will be a breakthrough. Just at the end on the year I have all the pieces I need to produce great music. Just have to sort out earlier unfinished projects before getting new PC and moving on to future productions. All I need now is time – and to make good use of it. The same is true for DJ sets. These should come back in a month or two.
Happy new year 2017!
Another month, another remix contest.
Just before the deadline I finished a remix of Still Waiting by Kamille Louis. Good thing it’s shared in public and you can actually vote for it. The competition is strong though, mostly thanks to significant rewards.
Please vote here!
Now back to backyard: The original feels pretty uninspired. I guess the author had no idea what to do with, and neither had I – the genre was quite off :P. The basic idea was to use samples from remix pack as much as possible. I started down from cutting every sample out of it and procesing them until they ended up with something useful. The track is driven by polyrhythmic maracas (new technique to me) and basslines were resynthesized in Serum from original samples. The pads were also resynthesized with Harmor, though with poor results – mostly ending up with atonal textures. Second lead was chopped guitars playing MIDI extracted from generic drum loops – Ableton bread and butter.
Still, it eventually turned out to be pretty nice progressive house with a bunch of unusual sample FX. In fact it’s all about mixdown.
So it’s done. The next remix will be full-on trance at 140 BPM made from this. Should be quite straightforward.
Ta-da, my first release is live! That was possible thanks to remix contest organised by Black Lemon Records, which I won.
It is 20th production till date and yes, it’s progressive (house?) track. Moreover, this trancy break cut is pretty unfortunate and unrelated to original.
But trust me, it’s a great artistic endeavour. With groove!
Chaos and fractals were always attracting me (pun intended) and I wanted to give them a try in audio synthesis. Here’s the first try: wavetable pack for Serum made from chaotic oscillators.
Pick them from new blog page Samples & Wavetables. These are ordinary .wav files and should work with any wavetable synth or sample player. 37 different wavetables should keep you busy for a while. Some of them are evolving textures, some of them are simple but unusual like no one would ever craft by hand.
Rendering chaotic oscillators was the easy part. The difficulty was to actually make them musically usable. Some were picked directly, others were creatively processed. Chaotic attractors tend to generate subharmonic content and successive “periods” are very different from each other. It is opposite to wavetable where every frame is similiar to previous one.
Serum has a number of different import options, but they were not able to deal effectively with aperiodic waveforms. Many of them were picked and edited manually to be musically useful. This is only first attempt, I’m hoping to automate the process and create bigger, high-fidelity wavetables with minimal processing.
Also I have distant plans of creating actual synths and other utlities which will allow to use chaotic oscillators directly. There are dozens of known attractors and probably infinite number of new ones to discover. Surely there will be more depending on your interest.