Well, where to start. Sould Waves Music announced a remix contest for Nordic Coast – Sunrise In Brisbane track. They received a “huge number” of remixes, but… didn’t like any. No winners, no awards, nothing – everybody go home.
What else can I say? Screw them. Check my remix yourself:
I’ve been looking forward to get 4K monitor to use it with DAW and recently made it. I would like now to discuss the benefits and observations in a form of short guide, as seemingly many people are still confused about these.
Just before the deadline I finished a remix of Still Waiting by Kamille Louis. Good thing it’s shared in public and you can actually vote for it. The competition is strong though, mostly thanks to significant rewards.
Now back to backyard: The original feels pretty uninspired. I guess the author had no idea what to do with, and neither had I – the genre was quite off :P. The basic idea was to use samples from remix pack as much as possible. I started down from cutting every sample out of it and procesing them until they ended up with something useful. The track is driven by polyrhythmic maracas (new technique to me) and basslines were resynthesized in Serum from original samples. The pads were also resynthesized with Harmor, though with poor results – mostly ending up with atonal textures. Second lead was chopped guitars playing MIDI extracted from generic drum loops – Ableton bread and butter.
Still, it eventually turned out to be pretty nice progressive house with a bunch of unusual sample FX. In fact it’s all about mixdown.
So it’s done. The next remix will be full-on trance at 140 BPM made from this. Should be quite straightforward.
So here it is! My latest track prepared for contest. It’s a straightforward but huge uplifter at 138 BPM.
I really enjoyed original material I got and used pretty much all MIDI from remix pack, including bassline. Didn’t add too much of content or unsual ideas, the melody is strong enough to hold on its own. It was all about sound design, layering and modulation, then mixdown. It was great to see how this tune is coming from “just typical trance” to “oustanding” just over a day. It all was made just in a 6 days, had a week off.
Hey, I didn’t post any track in a long time. It doesn’t mean they are not coming, just I’m trying not to reveal too much. To prove I’m still alive, here’s a short snippet from my full-on psytrance attempt.
I think I got it – it’s trippy but also getting more psy-ish with all these weird squelches in the background. Also trying hard to break the loop symmetry.
Most of stuff in this demo is done with Ableton Operator. Some sounds also come from my new purchase Harmor – which will get separate post once I examine it inside-out.