It was an old idea, probably 8 years old by now as I got it back at the university. “Supercontinuum” means, in layman’s term, a rainbow laser. So that’s pretty much what you can see on the cover:
It’s quite an ephemereal phenomenon unlike anything observed in nature, and so is the sound design for this track. Not a single subtractive synth was used in the making of “Supercontinuum”, and samples were very sparse too. Main lead is string morphing smoothly into flute thanks to Harmor. Bassline comes from newly purchased FM8. Pseudo-acoustic instruments is Chromaphone 2, some atmoshperes come from Iris 2 and Ableton Operator is also there.
Last, but not least – all the melodies and harmonies were created by AI. It’s all Orb Composer, and in fact I started to create this track immediately after I purchased the tool back in 2018. Took me many months and three attempts to get anywhere with it. In fact, I been adding final touches in August 2019. Even though the track was signed immediately, it still took several months to get the remixes done by Sublitrance and LTM.
Two different tracks are coming just in March. Different labels, different styles. One thing in common – it’s awesome trance.
First, Native Aliens is full-on commercial psy that hits hard. Because I wanted to make something typical for once. Coming on March 16 at Aftertime Records run by Leo Itskovich.
Supercontinuum is a progressive / epic trance tune with elaborate composition utilizing AI as well as exotic synth selection. It was supposed to be many things, but eventually style feels much like Solarstone. Probably the most easy-listening track from me yet.
Featuring two remixes, coming on March 20th at my home label Tecnomind Music.
“My Little Room” was originally made some years ago as a counterpart to Bliss. It’s the odd one, though, and I can’t even think of many labels that could be potentially interested in it. So I give it away for free. Luckily it already gathered great opinions from listeners, now you can enjoy it too! 🙂