I record these mixes every year on first day of spring, now the counter hits 12. Melodic tunes varying from chillout, through progressive and deep house to uplifters. Also features my remix of “Impellent”, which sits quite well here. Enjoy!
I’m quite digging all the remix contests now, the tracks just come one after another. Here’s an attempt to remix a synthpop, with actual vocals – new thing to me. The original track is clearly amazing and I just wanted to make it similiar but even better, more EDM-friendly rather than pop. This prog-house turned out very satisfactory, just check it on your own. I believe this is an easy-listening tune also non-EDM heads can tolerate. Also, the track is light on compression so sounds more like a pop than hard-limited club tune. Enjoy!
Another month, another remix contest.
Just before the deadline I finished a remix of Still Waiting by Kamille Louis. Good thing it’s shared in public and you can actually vote for it. The competition is strong though, mostly thanks to significant rewards.
Please vote here!
Now back to backyard: The original feels pretty uninspired. I guess the author had no idea what to do with, and neither had I – the genre was quite off :P. The basic idea was to use samples from remix pack as much as possible. I started down from cutting every sample out of it and procesing them until they ended up with something useful. The track is driven by polyrhythmic maracas (new technique to me) and basslines were resynthesized in Serum from original samples. The pads were also resynthesized with Harmor, though with poor results – mostly ending up with atonal textures. Second lead was chopped guitars playing MIDI extracted from generic drum loops – Ableton bread and butter.
Still, it eventually turned out to be pretty nice progressive house with a bunch of unusual sample FX. In fact it’s all about mixdown.
So it’s done. The next remix will be full-on trance at 140 BPM made from this. Should be quite straightforward.
Ta-da, my first release is live! That was possible thanks to remix contest organised by Black Lemon Records, which I won.
It is 20th production till date and yes, it’s progressive (house?) track. Moreover, this trancy break cut is pretty unfortunate and unrelated to original.
But trust me, it’s a great artistic endeavour. With groove!
I didn’t post for last 2 months, but it was busy and productive time.
It was only 4th place, but enough to make it. Looks like my first and only release will be progressive house. Will make another post when I get more details on this one.
It was my 3rd track this year, but 20th till date. It takes good time to learn production, but finally I’m there.
Secondly, due to this achievement I gave a lecture on how the remix was made and got free LuSH-101 plugin from D16 Group as reward. This trance workhorse is worth another post. My performance was recorded and will be avaliable on video in some months (only in Polish).
Finally, I also took part in remix contest of Andy Groove – Impellent.
Unfortunatelly this time didn’t make it, which makes me sad. It’s a simple but huge uplifter, going to share it soon. I still believe it’s better than anything I made till date.
All in all, you can expect 3 more posts exploring both remixes and the synth in detail. Other than that, I have a bunch of real-life events to sort out for now, but once I’m back, the music will be coming quickly 🙂
I promised two things. First, to make a progressive track. Second, to create a track using (mostly) Ableton Push. And here it is! Complete production done under a week. Hope you enjoy it 🙂
It is very simple. Prog / deep house bass were based on online tutorials, lead chords were just a random sequence. Then comes 4/4 percussion with 808 samples. If something worked, I didn’t think twice but just keep it.
I also added ethnic drums to keep some interest. There were all played live, but unfortunatelly I’m not so good to play anything immediately usable. I spent two hours quanitizing them by hand.
There are also some random effects and distractions, all drowned in dub delay. All the “depth” of a track comes from evolving delay chain in the background. Pretty much generative music, apart from it not much happens in the arrangement.
Last but not least, the arrangement was played in Session mode – which is launching clips live. It gives very different approach to even prepare this clips for live play and probably helps me feel the progressive nature of track better. Playing live gives direct connection with track, unlike setting up arbitrary arrangement in Arrangement view.
All in all, it’s the music that matters – not only if it’s good, but also if it comes fast. Since it’s finished and complete production, I may turn to next projects. In spare time, that is, don’t have much of it in last months.