To make any career in music business, I need a portfolio of great quality tracks in first place. Unfortunatelly, as it usually works, the old and poor ones end up on Soundcloud and the new ones can’t find their way through labels for months. So, need to fix that.
This is a rework of 2016 remix contest entry. The original was pure gold and the competition level was terrible overall, so I had to do it justice. Now you can enjoy this gem in top quality!
I record these mixes every year on first day of spring, now the counter hits 12. Melodic tunes varying from chillout, through progressive and deep house to uplifters. Also features my remix of “Impellent”, which sits quite well here. Enjoy!
I got suprisingly nice feedback after my previous mix, so decided to do some more. Here’s quick progressive mix. I don’t have a time yet for 2-hour Moments of Peace podcast, so I recorded something shorter – but this time live. Enjoy.
I’m quite digging all the remix contests now, the tracks just come one after another. Here’s an attempt to remix a synthpop, with actual vocals – new thing to me. The original track is clearly amazing and I just wanted to make it similiar but even better, more EDM-friendly rather than pop. This prog-house turned out very satisfactory, just check it on your own. I believe this is an easy-listening tune also non-EDM heads can tolerate. Also, the track is light on compression so sounds more like a pop than hard-limited club tune. Enjoy!
Just before the deadline I finished a remix of Still Waiting by Kamille Louis. Good thing it’s shared in public and you can actually vote for it. The competition is strong though, mostly thanks to significant rewards.
Now back to backyard: The original feels pretty uninspired. I guess the author had no idea what to do with, and neither had I – the genre was quite off :P. The basic idea was to use samples from remix pack as much as possible. I started down from cutting every sample out of it and procesing them until they ended up with something useful. The track is driven by polyrhythmic maracas (new technique to me) and basslines were resynthesized in Serum from original samples. The pads were also resynthesized with Harmor, though with poor results – mostly ending up with atonal textures. Second lead was chopped guitars playing MIDI extracted from generic drum loops – Ableton bread and butter.
Still, it eventually turned out to be pretty nice progressive house with a bunch of unusual sample FX. In fact it’s all about mixdown.
So it’s done. The next remix will be full-on trance at 140 BPM made from this. Should be quite straightforward.