The Making of: Native Aliens

Warmy can into psytrance! A product, a cliche, but none the less – it turned out successful. Check out why:

The hook of this track are fast drum loops taken straight from NI West Africa, will little pattern modifications. With this kind of groove and power not much more is needed. Together with some other instruments from this Kontakt library, this stands for “natives” part.

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Warmonger – Native Aliens out now!

Finally a proper full-on psy from me, this time at popular label Aftertime Records. Commercial style, so it hits hard and would rock all the club parties… if they were not already cancelled :v Either way…

Native Aliens

The tune combines classic psybass, African drums and chants as well as classic psy patterns and my signature supersaw lead. What’s there not to like?

Listen and buy – now in all stores!

Spotify
Deezer

Beatport
Juno
Apple Music

The making of: Ancient Dreams Remix

Back with “The making of” series. Let’s start with Ancient Dreams by James Lass, since this one was actually made back in November 2017.

The story begins just a few hours after Introscope EP got released. Delaforce Recordings made a public request for remixers on their Facebook page, and I answered quickly – at that moment with proven track record 😛 I got like 25 days for a remix, but it actually got signed 2 month later and finally released more than a year from then – this February.

Unfortunatelly Delaforce Recordings seems to be barely alive nowdays, so the only place you can hear full version are streaming serives, such as Spotify. Go check it now:

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4K in a DAW

I’ve been looking forward to get 4K monitor to use it with DAW and recently made it. I would like now to discuss the benefits and observations in a form of short guide, as seemingly many people are still confused about these.

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Ruska – Saimaa Remix is out!

Ta-da, my first release is live! That was possible thanks to remix contest organised by Black Lemon Records, which I won.

Beatport Spotify iTunes Google Play Amazon DJShop

It is 20th production till date and yes, it’s progressive (house?) track. Moreover, this trancy break cut is pretty unfortunate and unrelated to original.

But trust me, it’s a great artistic endeavour. With groove!

ruska-saimaa-remixes

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