Another remix prepared for a contest (so far, the last one) – pure trance at 140 BPM. It quickly turned out exactly how I imagined it. Now you can enjoy this properly mastered version. Check this freebie!
Ending year 2016 was quite interesting, full of ups and downs. For sure it was busy.
First and most important, I got my first track released – it’s remix of Ruska – Saimaa made for a contest. I was hoping now releases will be flying every month or so.
However, since then it was a downfall. Even though I feel I improve the quality of every new track, none of them was accepted. Some remixes were not good enough, others seemingly were off the style.
It took me a while to understand what is still wrong with the tracks and why people don’t enjoy them as much as commercial releases. And eventually I figured it out. Check the improved remix of Impellent:
The stats… we live in the world where no one cares who you are and what you do, but only how popular you are. I’m not very popular at all (especially compared to 2008), but the blog stats keep growing this year:
This is with lowest post count ever. Most of visits hit Chaotic Wavetable Pack for Serum, which turned out very interesting for users even though it was made over one day and in fact is nothing extraordinary. Personally I never used it yet :P.
Growing stats may also come from the fact that I no longer post about “work in progress”, but simply finish tracks and post worthy pieces of music. Certainly it would help if I posted some tutorials and started video blog, but there are other things I need to deal with first. Neverthless, I gave some lectures on production this year so it’s not far from here. Especially earlier show on FM synthesis turned out great.
I only mixed like 9 DJ sets this year… unfortunatelly it takes a lot of time. Even though, these few sets get great number of plays, so once I get back to it someday, things should be running well.
The studio… I got quite some gear and a number of synths this year. Acually it’s more than I was able to use so far. Which doesn’t mean I don’t try to – the quest for ultimate studio drives me both creatively and at regular work. I not only need money for better place, but also need to actually make use of all the synths (yet alone gear) I gathered so far. Now the only thing that limits me is the time. Which leads to one last point…
The workflow. Earlier this year I decided to learn how to use Push for real. And I did, it just works so well. Now I’m working in Session mode, creating clips and layers one by one. Then switch to Arrangement View, create whole arrangement in one go and… voila! Track is finished. Let’s do another one. Making tracks, even very diverse, is quite repeatable process – one I know how to. And creating better track doesn’t neccessarily mean spending more time on it. It’s all about the skills and just know-how.
The future. The future is now, 2017 will be a breakthrough. Just at the end on the year I have all the pieces I need to produce great music. Just have to sort out earlier unfinished projects before getting new PC and moving on to future productions. All I need now is time – and to make good use of it. The same is true for DJ sets. These should come back in a month or two.
Happy new year 2017!
I’m quite digging all the remix contests now, the tracks just come one after another. Here’s an attempt to remix a synthpop, with actual vocals – new thing to me. The original track is clearly amazing and I just wanted to make it similiar but even better, more EDM-friendly rather than pop. This prog-house turned out very satisfactory, just check it on your own. I believe this is an easy-listening tune also non-EDM heads can tolerate. Also, the track is light on compression so sounds more like a pop than hard-limited club tune. Enjoy!
Now the poll for EOYC 2016 DJ contest is open. I would like to win again this year, though the rules are different now.
So here is the poll.
And here is the set:
Honestly I hate public voting. The difficulty is not to make even the greatest set, but to make anyone listen to it. People don’t have time to check 50 hours of music, obviously. As a result, spammers win. Luckily now only forum members can vote there are 20 places to take.
Another month, another remix contest.
Just before the deadline I finished a remix of Still Waiting by Kamille Louis. Good thing it’s shared in public and you can actually vote for it. The competition is strong though, mostly thanks to significant rewards.
Please vote here!
Now back to backyard: The original feels pretty uninspired. I guess the author had no idea what to do with, and neither had I – the genre was quite off :P. The basic idea was to use samples from remix pack as much as possible. I started down from cutting every sample out of it and procesing them until they ended up with something useful. The track is driven by polyrhythmic maracas (new technique to me) and basslines were resynthesized in Serum from original samples. The pads were also resynthesized with Harmor, though with poor results – mostly ending up with atonal textures. Second lead was chopped guitars playing MIDI extracted from generic drum loops – Ableton bread and butter.
Still, it eventually turned out to be pretty nice progressive house with a bunch of unusual sample FX. In fact it’s all about mixdown.
So it’s done. The next remix will be full-on trance at 140 BPM made from this. Should be quite straightforward.
The trick was that I learned about the contets only one day before it was opened for entries. Starting from nothing, I somehow still managed to make it. Still tracklist was rushed, mix – improvised and I didn’t even listen to it before upload. Hope you enjoy it nonetheless. Usual tech & uplifting power 8)
The game plan is as follows:
Until end of October all sets will be ready (but it will hit 50 entries limit quickly). Then, between 1st and 20th November you can listen to the sets.
Next month, between 21st and 30th November, there’s voting on Afterhours.fm boards for members. Your support will be mostly appreciated. Next day results will be revelead, based on votes and ratings from AH staff. There are 50 contestants and 20 winners, so it couldn’t be easier 😉
Oh, and check the tracklist:
Ta-da, my first release is live! That was possible thanks to remix contest organised by Black Lemon Records, which I won.
It is 20th production till date and yes, it’s progressive (house?) track. Moreover, this trancy break cut is pretty unfortunate and unrelated to original.
But trust me, it’s a great artistic endeavour. With groove!